Infernally ecstatic moans-在阿鼻地狱之路上,患得患失的蜉蝣们,极乐般的呻吟吧!: August, 2008

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在黑暗中彷徨

http://www.lifelover.se/

LifeLover的新专辑将在今年10月发行。LifeLover和法国那群gay掀起了一阵post-black metal，post-rock black metal的浪潮，我个人很厌恶这种风潮。但是不可否认的是Lifelover的歌曲还是很耐听的。试听中的Mental Central Dialog是不折不扣的Lifelover似的歌曲。

1. Shallow
2. Mental Central Dialog
3. Brand
4. Cancertid
5. Konvulsion
6. Twitch
7. Narcotic Devotion
8. Alltid - Aldrig
9. Stängt p.g.a Semester
10. Original
11. Bitter Reflektion
12. Mitt Annexia
13. Spiken I Kistan
14. En Tyst Minut

期待很久的TOMB也出了新专：T.O.M.B. - Macabre Noize Royale ，可听性还是很强的。

音乐中有加有field recording，应该翻译为场景录音吧。每一个场景都有一个段黑暗的历史：一，二战的兵工厂，被纵火毁掉的教堂，掩埋了30多名学生的学校。

T.O.M.B. is a mysterious, unnamed entity well known for crafting the darkest
noise recordings with the aid of nothing but field recordings. With Macabre
Noize Royale, T.O.M.B. has set out to push the boundaries further than ever
before.
To collect the field recordings T.O.M.B. travelled and trespassed through
Pennsylvania’s darkest landmarks including:
Bethlehem Steel Works - builder of large calibre guns during WWI and WWII
Eden Hall Church - 157 year old gothic church destroyed from arson
Laurel Hill Cemetery - 170 year old cemetery
Lambertville High School - students burned alive 30 years ago, site of
countless suicides since.

Each location has a disturbing history and they have become locations of
multiple ghost sightings and unexplained deaths.
Through these field recordings, smashing recording rods into massive steel
structures and ancient crypt doors, T.O.M.B. reawakens the decaying structures
and the agonizing history they hold sealed.
The recordings are then crafted into the darkest, heaviest BLACK NOISE ever
recorded. And for the first time full Black Metal / Industrial tracks have been
created.
Macabre Noize Royale is T.O.M.B.’s most diverse album by far. Integrating pure
noise with ambience, Industrial and Black Metal. The clear intention is to push
the boundaries of Black Noise sound manipulation and continue to shock the
listener (both fans and newcomers).

Quoted from Metal-Archives